Seedance 2.5 提示词指南：如何写出真正有效的提示词

Mara says, "You still keep your receipts in the pocket."

Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions.

Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality.

The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium."

She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight."

She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight."

She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face.

Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out.

Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.

Create a 30 second cinematic short film titled The Suit Was Still Listening, presented in 16:9 with synchronized dialogue, environmental sound, and original music. The film must feel completely live action, physically grounded, and captured on location, never glossy or synthetic.

Visual language: a rain soaked neighborhood laundromat at midnight, warm amber fluorescent tubes inside, cold blue street light and moving car reflections outside, wet pavement, fogged windows, chipped enamel machines, baskets, detergent boxes, loose receipts, realistic skin texture, natural eye moisture, subtle fabric lint, imperfect hair, restrained film grain, gentle halation, lifted shadows, rich but believable color. Wardrobe creates bold editorial color blocking: Mara wears a cobalt trench over a cream blouse, Noah wears a rust knit polo, the teenage attendant wears faded green workwear, and an elderly customer wears a pale gray suit and dark hat. Use expressive medium close shots, tactile inserts, occasional low angles, clean profile compositions, and brief handheld movement that feels operated by a human. Preserve consistent faces, clothing, props, screen direction, reflections, hand anatomy, and spatial continuity. Use realistic speech timing, breathing, blinking, eye focus, and precise lip synchronization.

0 to 3 seconds. Exterior wide shot through falling rain. A lonely laundromat glows on a dark corner. A black sedan turns slowly into the street. Camera makes a subtle forward creep. Music begins with muted upright bass, brushed snare, a low analog pulse, and the rhythmic churn of washers.

3 to 6 seconds. Interior macro shot through a round washer door. A red scarf turns through soap and water. Cut to Mara opening a dryer. A tiny black transmitter falls from the lining of a cream suit and strikes the tile with a sharp metallic click. The score briefly drops out.

6 to 10 seconds. Low medium two shot. Noah freezes beside a folding table. He says quietly, You said clean the suit. Mara studies the transmitter in her palm and replies, I did. You hid a heartbeat in the lining. Keep the delivery controlled and intimate, not theatrical.

10 to 14 seconds. Tight insert on the teenage attendant checking an old signal meter beside the change machine. A green needle jumps. He looks toward the fogged front window and says, It is still transmitting. Camera racks focus from the meter to white headlights sliding across the glass.

14 to 18 seconds. The sedan stops outside. The elderly customer continues folding a shirt without looking up. He says, Then he is already here. Hold on Mara as the moving headlights carve across her face. Let silence, rain, and machine motors carry the tension.

18 to 22 seconds. Noah whispers, Back door. The old man calmly turns the deadbolt on the back exit and answers, Too obvious. Mara notices a delivery rider outside pushing a rolling laundry cart past the window. Use a fast sequence of close shots: her eyes, the transmitter, the cart wheel, the sedan mirror.

22 to 27 seconds. Mara crosses naturally behind a row of machines, slips the transmitter into a sealed laundry bag on the moving cart through an open service hatch, and returns without drawing attention. Noah asks, What did you do. Mara watches the cart continue down the wet street and says, Gave him a cleaner story.

27 to 30 seconds. Exterior telephoto view. The black sedan pulls away and follows the cart. Cut back inside to a symmetrical medium shot of the four characters framed by spinning washer doors. The red scarf circles behind Mara like a slow warning light. She sits opposite Noah and says, Now tell me who owns the suit. End on the transmitter signal fading from the attendant meter as the final bass note lands.

Sound design must include rain on glass, distant tires on wet road, washer motors, dryer buttons, fabric movement, the transmitter click, door lock, fluorescent hum, and soft room reflections around every voice. Dialogue must remain clean and naturally mixed above the music. Avoid visual distortion, artificial camera acceleration, floating objects, excessive shallow focus, oversharpening, plastic skin, extra fingers, unreadable signage, random background motion, or dreamlike effects.

Use the uploaded picture as the opening frame and as the look of the whole clip. Do not restyle it.

Image 1 is the subject: a man in his sixties in a grey wool coat, standing at the end of a stone pier in flat morning light.

One continuous ten-second shot, 16:9. The camera starts where the picture starts and pulls back slowly and steadily, so the pier gets longer behind him and the sea opens on both sides. He does not turn around. Around the seventh second he lifts his right hand to his collar and holds it there.

Keep his face, his coat, the pier stones and the light exactly as they are in Image 1. Water moves, the coat moves in the wind, nothing else changes.

Sound: sea against stone, wind across the microphone, gulls far off. No music. No subtitles.

Image 1 is the first frame. Image 2 is the last frame. Fill the five seconds between them and land exactly on Image 2.

Five seconds, 16:9, one continuous shot, no cuts.

The clip begins on a closed red door in a narrow hallway, lit by one overhead bulb. It ends on the same hallway with the door open and daylight flooding in from behind it.

Write the motion between them: the handle turns, the door swings inward and to the left, and the camera drifts forward at walking pace as the light changes from tungsten yellow to cold daylight across the walls. The bulb stays on and stops mattering as the daylight takes over.

Nothing enters the frame. No people, no hands.

Sound: a latch, hinges, a room tone that opens up when the door does. No music. No subtitles.

Image 1 is Character 1: a woman in her late twenties, black hair cut short, olive field jacket, a thin scar through her left eyebrow.
Image 2 is Character 2: a man in his fifties, shaved head, wire glasses, grey mechanic's overalls with a name patch.
Match both faces to their pictures in every second of the clip. Do not swap them, do not merge them, do not add a third person.

Fifteen seconds, 16:9, one workshop interior at night, one continuous scene in three beats. Overhead work lamps, oil-stained bench, an engine block on a stand.

0-5 seconds. Wide shot. Character 2 is bent over the bench. Character 1 walks in from the right and stops at the far end of the bench. He does not look up.

5-11 seconds. Medium two-shot. She picks a wrench off the bench and puts it down somewhere else. He straightens up and looks at where she put it. Neither speaks.

11-15 seconds. Close-up on his hands as he moves the wrench back. The camera tilts up to catch her already walking out of frame left.

Throughout: the same faces, the same clothes, the same lamps and shadows, no cuts to another room.

Sound: the hum of the lamps, metal set down on wood, footsteps on concrete. No music. No subtitles.

A ten-second vertical product clip, 9:16, shot like a phone video in a real kitchen, not like a studio commercial.

0-4 seconds. Handheld medium shot. A woman in her thirties stands at a counter in morning light, holding a plain glass bottle of cold brew. She turns it once so the light catches it. Slight camera wobble, natural.

4-8 seconds. She pours it over ice in a tall glass. Close, from slightly above. Real condensation, real ice movement, no slow motion.

8-10 seconds. She picks up the glass, looks at the camera, and says, "Same as yesterday. That's the point."

Throughout: the same kitchen, the same hands, the same bottle. Warm daylight from a window on the left. No on-screen text of any kind.

Sound: ice, pouring, a fridge running somewhere behind her, her line spoken in English. No music. No subtitles.